It was nearly noon, when, with a gentle breeze, we dropped into the harbor of Thebes. The sun was beating upon it with meridian splendor; the inhabitants were seeking shelter in their miserable huts from its scorching rays, and when we made fast near the remains of the ancient port, to which, more than thirty centuries ago, the Egyptian boatman tied his boat, a small group of Arabs, smoking under the shade of some palm-trees on a point above, and two or three stragglers who came down to the bank to gaze at us, were the only living beings we beheld in a city which had numbered its millions. When Greece was just emerging from the shades of barbarism, and before the name of Rome was known, Egypt was far advanced in science and the arts, and Thebes the most magnificent city in the world. But the Assyrians came and overthrew forever the throne of the Pharaohs. The Persian war-cry rang through the crowded streets of Thebes, Cambyses laid his destroying hands upon the temples of its gods, and a greater than Babylon the Great fell to rise no more.
The ancient city was twenty-three miles in circumference. The Valley of the Nile was not large enough to contain it, and its extremities rested upon the bases of the mountains of Arabia and Africa. The whole of this great extent is more or less strewed with ruins, broken columns, and avenues of sphinxes, colossal figures, obelisks, pyramidal gateways, porticoes, blocks of polished granite, and stones of extraordinary magnitude, while above them, “in all the nakedness of desolation,” the colossal skeletons of giant temples are standing “in the unwatered sands, in solitude and silence. They are neither gray nor blackened; there is no lichen, no moss, no rank grass or mantling ivy to robe them and conceal their deformities Like the bones of man, they seem to whiten under the sun of the desert.” The sand of Africa has been their most fearful enemy; blown upon them for more than three thousand years, it has buried the largest monuments, and, in some instances, almost entire temples.
At this day the temples of Thebes are known almost everywhere, by the glowing reports of travelers. Artists have taken drawings of all their minute details, and I shall refer to them very briefly. On the Arabian side of the Nile are the great temples of Luxor and Karnak. The temple of Luxor stands near the bank of the river, built there, as is supposed, for the convenience of the Egyptian boatmen. Before the magnificent gateway of this temple, until within a few years, stood two lofty obelisks, each a single block of red granite, more than eighty feet high, covered with sculpture and hieroglyphics fresh as if but yesterday from the hands of the sculptor. One of them has been lately taken down by the French, and at this moment rears its daring summit to the skies in the center of admiring Paris; the other is yet standing on the spot where it was first erected.
Between these and the grand propylon are two colossal statues with mitered headdresses, also single blocks of granite, buried to the chest by sand, but still rising more than twenty feet above the ground. The grand propylon is a magnificent gateway, more than two hundred feet in length at its present base, and more than sixty feet above the sand. The whole front is covered with sculpture; the battle-scenes of an Egyptian warrior, designed and executed with extraordinary force and spirit. In one compartment the hero is represented advancing at the head of his forces, and breaking through the ranks of the enemy; then standing, a colossal figure, in a car drawn by two fiery horses, with feathers waving over their heads, the reins tied round his body, his bow bent, the arrow drawn to its head, and the dead and wounded lying under the wheels of his car and the hoofs of his horses. In another place several cars are seen in full speed for the walls of a town, fugitives passing a river, horses, chariots, and men struggling to reach the opposite bank, while the hero, hurried impetuously beyond the rank of his own followers, is standing alone among the slain and wounded who have fallen under his formidable arm. At the farthest extremity he is sitting on a throne as a conqueror, with a scepter in his hand, a row of the principal captives before him, each with a rope around his neck; one with outstretched hands imploring pity, and another on his knees to receive the blow of the executioner, while above is the vanquished monarch, with his hands tied to a car, about to grace the triumph of the conqueror.
Passing this magnificent entrance, the visitor enters the dromos, or large open court, surrounded by a ruined portico formed by a double row of columns covered with sculpture and hieroglyphics; and, working his way over heaps of rubbish and Arab huts, among stately columns twelve feet in diameter, and between thirty and forty feet in height with spreading capitals resembling the budding lotus, some broken, some prostrate, some half-buried, and some lofty and towering as when they were erected, at the distance of six hundred feet reaches the sanctuary of the temple.

But great and magnificent as was the temple of Luxor, it served but as a portal to the greater Karnak. Standing nearly two miles from Luxor, the whole road to it was lined with rows of sphinxes, each of a solid block of granite. At this end they are broken, and, for the most part, buried under the sand and heaps of rubbish. But, approaching Karnak, they stand entire, still and solemn as when the ancient Egyptians passed between them to worship in the great temple of Ammon. Four grand propylons terminate this avenue of sphinxes, and, passing through the last, the scene which presents itself defies description. Belzoni remarks of the ruins of Thebes generally, that he felt as if he was in a city of giants; and no man can look upon the ruins of Karnak without feeling humbled by the greatness of a people who have passed away forever. The western entrance, facing the temple of Northern Deir on the opposite side of the river, also approached between two rows of sphinxes, is a magnificent propylon four hundred feet long and forty feet in thickness. In the language of Dr. Richardson, “looking forward from the center of this gateway, the vast scene of havoc and destruction presents itself in all the extent of this immense temple, with its columns, and walls, and immense propylons, all prostrate in one heap of ruins, looking as if the thunders of heaven had smitten it at the command of an insulted God.”
The field of ruins is about a mile in diameter; the temple itself 1,200 feet long and 420 broad. It has twelve principal entrances, each of which is approached through rows of sphinxes, as across the plain from Luxor, and each is composed of propylons, gateways, and other buildings, in themselves larger than most other temples; the sides of some of them are equal to the bases of most of the pyramids, and on each side of many are colossal statues, some sitting, others erect, from 20 to 30 feet high. In front of the body of the temple is a large court, with an immense colonnade on each side, of 30 columns in length, and through the middle two rows of columns 50 feet in height; then an immense portico, the roof supported by 134 columns, from 26 to 34 feet in circumference. Next were four beautiful obelisks more than 70 feet high, three of which are still standing; and then the sanctuary, consisting of an apartment 20 feet square, the walls and ceiling of large blocks of highly-polished granite, the ceiling studded with stars on a blue ground, and the walls covered with sculpture and hieroglyphics representing offerings to Osiris, illustrating the mysterious uses of this sacred chamber, and showing the degrading character of the Egyptian worship. Beyond this is another colonnade, and again porticoes and walls to another propylon, at a distance of 2,000 feet from the western extremity of the temple.
But these are not half of the ruins of Thebes. On the western side of the river, besides others prostrate and nearly buried under the sands, but the traces of which are still visible, the temples of El Qurna, Northern Deir, Deir el Medinet, the Memnonium, and Medinet Habu, with their columns, and sculpture, and colossal figures, still raise their giant skeletons above the sands. Volumes have been written upon them, and volumes may yet be written, and he that reads all will still have but an imperfect idea of the ruins of Thebes. I will only add, that all these temples were connected by long avenues of sphinxes, statues, propylons, and colossal figures, and the reader’s imagination will work out the imposing scene that was presented in the crowded streets of the now desolate city, when, with all the gorgeous ceremonies of pagan idolatry, the priests, bearing the sacred image of their god, and followed by thousands of the citizens, made their annual procession from temple to temple, and, “with harps, and cymbals, and songs of rejoicing,” brought back their idol and replaced him in his shrine in the grand temple at Karnak.
The rambler among the ruins of Thebes will often ask himself, “Where are the palaces of the kings, and princes, and people who worshipped in these mighty temples?” With the devout though degraded spirit of religion that possessed the Egyptians, they seem to have paid but little regard to their earthly habitations; their temples and their tombs were the principal objects that engrossed the thoughts of this extraordinary people. It has been well said of them that they regarded the habitations of the living merely as temporary resting-places, while the tombs were regarded as permanent and eternal mansions; and while not a vestige of a habitation is to be seen, the tombs remain, monuments of splendor and magnificence, perhaps even more wonderful than the ruins of their temples. Clinging to the cherished doctrine of the metempsychosis, the immortal part, on leaving its earthly tenement,, was supposed to become a wandering, migratory spirit, giving life and vitality to some bird of the air, some beast of the field, or some fish of the sea, waiting for a regeneration in the natural body. And it was of the very essence of this faith to inculcate a pious regard for the security and preservation of the dead. The whole mountainside on the western bank of the river is one vast Necropolis. The open doors of tombs are seen in long ranges, and at different elevations, and on the plain large pits have been opened, in which have been found a thousand mummies at a time. For many years, and until a late order of the pasha preventing it, the Arabs have been in the habit of rifling the tombs to sell the mummies to travelers. Thousands have been torn from the places where pious hands had laid them, and the bones meet the traveler at every step. The Arabs use the mummy-cases for firewood, the bituminous matters used in the embalment being well adapted to ignition; and the epicurean traveler may cook his breakfast with the coffin of a king. Notwithstanding the depredations that have been committed, the mummies that have been taken away and scattered all over the world, those that have been burnt, and others that now remain in fragments around the tombs, the numbers yet undisturbed are no doubt infinitely greater; for the practice of embalming is known to have existed from the earliest periods recorded in the history of Egypt; and, by a rough computation, founded upon the age, the population of the city, and the average duration of human life, it is supposed that there are from eight to ten millions of mummied bodies in the vast Necropolis of Thebes.
Leaving these resting-places of the dead, I turn for one moment to those of more than royal magnificence, called the tombs of the kings. The world can show nothing like them; and he who has not seen them can hardly believe in their existence. They lie in the valley of Biban el Muluk, a dark and gloomy opening in the sandstone mountains, about three quarters of an hour from El Qurna. The road to them is over a dreary waste of sands, and their doors open from the most desolate spot that the imagination can conceive.
Diodorus Siculus says that forty-seven of these tombs were entered on the sacred registers of the Egyptian priests, only seventeen of which remained at the time of his visit to Egypt, about sixty years B.C. In our own days, the industry and enterprise of a single individual, the infatigable Belzoni, have brought to light one that was probably entirely unknown in the time of the Grecian traveler. The entrance is by a narrow door; a simple excavation in the side of the mountain, without device or ornament. The entrance hail, which is extremely beautiful, is twenty-seven feet long and twenty-five broad, having at the end a large door opening into another chamber, twenty-eight feet by twenty-five, the walls covered with figures drawn in outline, but perfect as if recently done. Descending a large staircase and passing through a beautiful corridor, Belzoni came to another staircase, at the foot of which he entered another apartment, twenty-four feet by thirteen, and so ornamented with sculpture and paintings that he called it the Hall of Beauty. The sides of all the chambers and corridors are covered with sculpture and paintings; the colors appearing fresher as the visitor advances towards the interior of the tomb; and the walls of this chamber are covered with the figures of Egyptian gods and goddesses, seeming to hover round and guard the remains of the honored dead.
Farther on is a large hail, twenty-eight feet long and twenty-seven broad, supported by two rows of square pillars, which Belzoni called the Hall of Pillars; and beyond this is the entry to a large saloon with a vaulted roof, thirty-two feet in length and twenty-seven in breadth. Opening from this were several other chambers of different dimensions, one of them unfinished, and one forty-three feet long by seventeen feet, six inches wide; in which he found the mummy of a bull; but in the center of the grand saloon was a sarcophagus of the finest oriental alabaster, only two inches thick, minutely sculptured within and without with several hundred figures, and perfectly transparent when a light was placed within it.
All over the corridors and chambers the walls are adorned with sculptures and paintings in intaglio and relief, representing gods, goddesses, and the hero of the tomb in the most prominent events of his life, priests, religious processions and sacrifices, boats and agricultural scenes, and the most familiar pictures of everyday life, in colors as fresh as if they were painted not more than a month ago; and the large saloon, lighted up with the blaze of our torches, seemed more fitting for a banqueting hall, for song and dance than a burial-place of the dead. All travelers concur in pronouncing the sudden transition from the dreary desert without to these magnificent tombs as operating like a scene of enchantment; and we may imagine what must have been the sensations of Belzoni, when, wandering with the excitement of a first discoverer through these beautiful corridors and chambers, he found himself in the great saloon leaning over the alabaster sarcophagus. An old Arab who accompanied us remembered Belzoni, and pointed out a chamber where the fortunate explorer entertained a party of European travelers who happened to arrive there at that time, making the tomb of Pharaoh ring with shouts and songs of merriment.
At different times I wandered among all these tombs. All were of the same general character; all possessed the same beauty and magnificence of design and finish, and in all, at the extreme end, was a large saloon, adorned with sculpture and paintings of extraordinary beauty, and containing a single sarcophagus. “The kings of the nations did lie in glory, every one in his own house, but thou art cast out of thy grave like an abominable branch.” Every sarcophagus is broken, and the bones of the kings of Egypt are scattered. In one I picked up a skull. I mused over it a moment, and handed it to Paul, who moralized at large. “That man,” said he, “once talked, and laughed, and sang, and danced, and ate macaroni.” Among the paintings on the walls was represented a heap of hands severed from the arms, showing that the hero of the tomb had played the tyrant in his brief hour on earth. I dashed the skull against a stone, broke it in fragments, and pocketed a piece as a memorial of a king. Paul cut off one of the ears, and we left the tomb.
Travelers and commentators concur in supposing that these magnificent excavations must have been intended for other uses than the burial, each of a single king. Perhaps, it is said, like the chambers of imagery seen by the Jewish prophet, they were the scene of idolatrous rites performed “in the dark”; and, as the Israelites are known to have been mere copyists of the Egyptians, these tombs are supposed to illustrate the words of Ezekiel: “Then said he to me, Son of man, dig now in the wall; and when I had digged in the wall, behold a door. And he said unto me, Go in, and see the abominable things that they do there. So I went in, and saw, and behold, every form of creeping thing and abominable beasts, and all the idols of the house of Israel, portrayed upon the wall round about.” – Ezek. viii: 8-10.
Amid the wrecks of former greatness which tower above the plain of Thebes, the inhabitants who now hover around the site of the ancient city are perhaps the most miserable in Egypt. On one side of the river they build their mud huts around the ruins of the temples, and on the other their best habitations are in the tombs: wherever a small space has been cleared out, the inhabitants crawl in, with their dogs, goats, sheep, women, and children; and the Arab is passing rich who has for his sleeping-place the sarcophagus of an ancient Egyptian.
I have several times spoken of my intended journey to the Great Oasis. Something was yet wanting in my voyage on the Nile. It was calm, tame, and wanting in that high excitement which I had expected from traveling in a barbarous country. A woman and child might go safely from Cairo to the Cataracts; and my blood began to run sluggishly in my veins. Besides, I had a great curiosity to see an oasis; a small spot of green fertile land in the great desert, rising in solitary beauty before the eyes of the traveler, after days of journeying through arid wastes, and divided by vast sandy ramparts from the rest of the world. The very name of the Great Oasis in the Libyan Desert carried with it a wild and almost fearful interest, too powerful for me to resist. It was beyond the beaten track; and the sheik with whom I made my arrangements insisted on my taking a guard, telling me that he understood the character of his race, and an Arab in the desert could not resist the temptation to rob an unprotected traveler. For my own part, I had more fear of being followed by a party of the very unprepossessing fellows who were stealthily digging among the tombs, and all of whom knew of the preparations for our journey, than from any we might encounter in the desert. I must confess, however, that I was rather amused when I reviewed my body-guard, and, with the gravest air in the world, knocked out the primings from their guns, and primed them anew with the best of English powder. When I got through I was on the Point of discharging them altogether; but it would have broken the poor fellows’ hearts to disappoint them of their three piasters (about fifteen cents) per diem, dearly earned by a walk all day in the desert, and a chance of being shot at.
In the afternoon before the day fixed for my departure, I rode by the celebrated Memnons, the Damy and Shamy of the Arabs. Perhaps it was because it was the last time, but I had never before looked upon them with so much interest. Among the mightier monuments of Thebes, her temples and her tombs, I had passed these ancient statues with a comparatively careless eye, scarcely bestowing a thought even upon the vocal Memnon. Now I was in a different mood, and looked upon its still towering form with a feeling of melancholy interest. I stood before it and gazed up at its worn face, its scars and bruises, and my heart warmed to it. It told of exposure, for unknown ages, to the rude assaults of the elements, and the ruder assaults of man. I climbed upon the pedestal; upon the still hardy legs of the Memnon. I pored over a thousand inscriptions in Greek and Latin. A thousand names of strangers from distant lands, who had come like me to do homage to the mighty monuments of Thebes; Greeks and Romans who had been in their graves more than two thousand years, and who had written with their own hands that they had heard the voice of the vocal Memnon. But, alas! the voice has departed from Memnon; the soul has fled, and it stands a gigantic skeleton in a grave of ruins. I returned to my boat, and, in ten minutes thereafter, if the vocal Memnon had bellowed in my ears he could not have waked me.
From Incidents of Travel in Egypt, Arabia Petraea, and the Holy Land
by John Lloyd Stephens, 1837.
Engravings from Land of Pharaohs - Illustrated by Pen and Pencil
by Rev. Samuel Manning
1875. An eBook from Bookolica.com.
Incidents of Travel in Egypt, Arabia Petraea, and the Holy Land
by John Lloyd Stephens
Thebes in Egypt: A Guide to the Tombs and Temples of Ancient Luxor
by Nigel Strudwick, Helen Strudwick
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